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Parfum Extrait
Lemon, Grapefruit,Bergamot Golden Ambergris, Myrrh, Frankincense, Immortelle, Mysore sandalwood, Port Orford cedar, Birch tar, Leather, Vanilla absolute, Caramel, Rum, Deer musk, Hyraceum, Styrax,The Color of Pomegranates is a fragrance steeped in symbol and shadow, an olfactory interpretation of blood-red fruit, liturgical resin, antique woods, and the layered silence of sacred rites. Inspired in part by the visual poetry of Sergei Parajanov’s 1969 masterpiece, the composition seeks to distill its essence rather than recount its story: opulent restraint, ritual gesture, and the tension between stillness and intensity.
The perfume opens in golden light. Lemon, grapefruit, and bergamot crackle with clarity before slowly dimming into deeper hues of golden ambergris and myrrh. The citrus feels gilded rather than bright, like juice poured over stone, dried in the sun, and darkened with time. Resins rise immediately. Frankincense and immortelle bloom together, one sacred and radiant, the other honeyed and enduring. They move in unison, chanting rather than competing.
Mysore sandalwood and Port Orford cedar form the core of the fragrance, creating a dry, creamy structure that lifts the composition. These woods feel solemn rather than heavy, like altars worn smooth by centuries of touch. Around them, birch tar and leather introduce an animalic smoke that remains ceremonial in character, recalling vestments stored in wooden chests, incense-soaked robes, and the memory of fire.
The heart grows richer and warmer as vanilla absolute, caramel, and a restrained measure of rum emerge. The sweetness unfolds slowly and stays controlled, veiled and complex, like fruit pressed into wine or laid out on silver plates. At the base rests the animal soul of the fragrance. Deer musk, hyraceum, and styrax bring intimacy and resinous depth, breathing with quiet intensity. Used with restraint, these notes give the perfume its emotional weight and a rhythm that feels almost liturgical, shaped as much by silence as by sound.
The Color of Pomegranates is a fragrance of mood rather than spectacle, sacred, melancholic, sensuous, and composed. It wears like memory made tangible: velvet dust, crimson silk, aged stone, and flickering flame. It is meant for those drawn to still beauty, to the mystery held in fruit, and to the color red understood as symbol rather than surface.
Parfum Extrait
Lemon, Grapefruit,Bergamot Golden Ambergris, Myrrh, Frankincense, Immortelle, Mysore sandalwood, Port Orford cedar, Birch tar, Leather, Vanilla absolute, Caramel, Rum, Deer musk, Hyraceum, Styrax,The Color of Pomegranates is a fragrance steeped in symbol and shadow, an olfactory interpretation of blood-red fruit, liturgical resin, antique woods, and the layered silence of sacred rites. Inspired in part by the visual poetry of Sergei Parajanov’s 1969 masterpiece, the composition seeks to distill its essence rather than recount its story: opulent restraint, ritual gesture, and the tension between stillness and intensity.
The perfume opens in golden light. Lemon, grapefruit, and bergamot crackle with clarity before slowly dimming into deeper hues of golden ambergris and myrrh. The citrus feels gilded rather than bright, like juice poured over stone, dried in the sun, and darkened with time. Resins rise immediately. Frankincense and immortelle bloom together, one sacred and radiant, the other honeyed and enduring. They move in unison, chanting rather than competing.
Mysore sandalwood and Port Orford cedar form the core of the fragrance, creating a dry, creamy structure that lifts the composition. These woods feel solemn rather than heavy, like altars worn smooth by centuries of touch. Around them, birch tar and leather introduce an animalic smoke that remains ceremonial in character, recalling vestments stored in wooden chests, incense-soaked robes, and the memory of fire.
The heart grows richer and warmer as vanilla absolute, caramel, and a restrained measure of rum emerge. The sweetness unfolds slowly and stays controlled, veiled and complex, like fruit pressed into wine or laid out on silver plates. At the base rests the animal soul of the fragrance. Deer musk, hyraceum, and styrax bring intimacy and resinous depth, breathing with quiet intensity. Used with restraint, these notes give the perfume its emotional weight and a rhythm that feels almost liturgical, shaped as much by silence as by sound.
The Color of Pomegranates is a fragrance of mood rather than spectacle, sacred, melancholic, sensuous, and composed. It wears like memory made tangible: velvet dust, crimson silk, aged stone, and flickering flame. It is meant for those drawn to still beauty, to the mystery held in fruit, and to the color red understood as symbol rather than surface.